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Joel Naumann
Education: Two years of undergraduate study in Physics at
the State University of New York at Stony Brook, private composition
study with Isaac Nemiroff; BM in Composition from Manhattan School of
Music with Vittorio Giannini, David Diamond, Nicholas Flagello, and
Ludmilla Ulehla; MM in Composition from Long Island University with
Stefan Wolpe, Raoul Pleskow, and Joseph Marx; Ph.D. in Composition at
the University of Utah (SLC) with Alexei Haieff, Vladimir Ussachevsky,
and Theodore Antoniou.
Teaching: First taught 1973-75 at Eastern Illinois
University, Charleston, Illinois, establishing their electronic music
studio and New Music Workshop series. Taught composition, theory,
analysis, orchestration, and electronic music at The Catholic
University of America, Washington, D.C., 1975-78 and in 1980, founded
and conducted the Contemporary Chamber Ensemble and rebuilt the
school's electronic music/recording studio complex. Fulbright
Composer in Residence at Victorian College of the Arts, Melbourne,
Australia in 1979. At the UW-Madison since the Fall of 1980 where,
aside from his normal teaching load, he has also directed the school's
Contemporary Chamber Ensemble, designed and built the school's analog
electronic music studio and its first digital electronic music studio,
served as the Director of Electronic Music, and has chaired the
Theory/Composition Area.
Current UW-Madison teaching includes the Freshman Composition class
(neo-classical techniques); the Sophomore Composition class (atonal,
twelve-tone, serial, and avant-garde techniques); Junior, Senior, MM,
and DMA private composition students, thesis/dissertation supervision,
and graduate composition seminars in 'Sound Sculpture' and
'Compositional Systems.'
Other: Author of Analog Electronic Music Techniques
(Schirmer, 1985). Founder/Past President of the Wisconsin Alliance
for Composers, Inc. (WAC). While at The Catholic University of
America in Washington, D.C. he managed and directed the Contemporary
Music Forum, and founded The Washington Sinfonia, a 35 member
Baroque-Classical orchestra playing rarely heard orchestral literature
from those periods. His compositions have been performed, recorded
and broadcast throughout the United States, and in Canada, Europe,
England, Australia, and New Zealand. Awards and grants include the
National Endowment for the Arts, a Fulbright Senior Scholar Grant, two
Composers' Guild Awards, a Concert Artists Guild Commission Award,
nomination to the American Academy of Arts and Letters, a number of
grants and commissions from the Wisconsin Arts Board, the Creative
Artist Fellowship Award from Dane County, WI, and six grants from the
Wisconsin Alumni Research Foundation (WARF) at the UW-Madison.
Catalog of Works:
- Music for Young People (1965, 1983, 1984, 1987, 1992, 1993, and
1996)
- Twenty-Two Short Graded Piano Pieces for Young Pianists
- Sonatine (1965) 10'
- Solo Piano
- Chamber Concerto (1968) 11'
- Violin and Piano Soloists with Thirteen Wind Instruments
- Elegia Seria (1969) 10'
- Double String Orchestra
- An Ogden Nash Bestiary (1970) 14'
- Thirteen Songs for Coloratura Soprano and Pianom to poems of Ogden
Nash
- Base Lines (1971) 9'
- Solo Double Bass
- Modulars (1971) 12'
- Six Pieces for Solo Piano
- Songs of Silence and the Night (1971) 7'
- Three Songs for Mezzo-Soprano, Flute, Clarinet, Viola, Trumpet, and
Piano to poems of Joseph Kiss
- Five Pieces (1971) 9'
- Violin, Clarinet, and Piano
- Expositions (1972) 16'
- Seven Short Movements for a Chamber Orchestra of Fifteen Players
- Songs of Passing (1972) 14'
- Four Songs for Mezzo-Soprano, String Orchestra, Piano, Celesta,
Harpsichord, and Percussion to poems of Joseph Kiss
- Waltz (for Hazel) (1973) 3'
- Solo Piano
- Piano Variations (1973) 9'
- Solo Piano
- Chamber Mass (1973) 13' (in Latin)
- SATB Chorus and String Quartet (or Organ)
- Variants (1974) 9'
- Picc./2/2/2/Bs.Cl./2, 4/2/2/Bs.Tbn./Tuba, 4 Percussion, Strings
- Miniatures (1974) 5'
- Five Pieces for Violin and Piano
- Miniatures for Orchestra (1975) 14'
- Six Pieces for Large Orchestra
- Chamber Piece No. 1 (1975) 17'
- Flute, Violin, and Amplified Harpsichord
- Transcriptions: French Secular Music of the 1390s (1976) 6'
- Mezzo-Soprano, Flute, Alto Flute, Clarinet, Bass Clarinet, Viola, and
Percussion
- Intrada (1977) 6'
- Organ and Brass Quintet
- String Quartet No. 1 (1978) 12'
- String Quartet
- Solo I (1979) 9'
- Solo Flute
- 'in the night's loud silence . . .' (1979) 13'
- Solo Oboe, Pre-Recorded Oboe, and Tape Delay System
- Brass Quintet (1979) 13'
- Two C Trumpets, French Horn, Tenor Trombone, and Bass Trombone
- 'a piacere' (1980) 10'
- Four Pieces for Trumpet and Keyboard (Piano, Organ, or Amplified
Harpsichord)
- SARAH (1980) 14'
- Solo Cello
- Ruckeyser Songs (1981) 13'
- Four Songs for Mezzo-Soprano, Flute, Clarinet, and Viola to poems of
Muriel Ruckeyser
- Chamber Piece No. 2 (1981) 8'
- Flute, Cello, and Piano
- Nightpiece (1982) 16'
- 2/2/2/2, 4/2/2/1/1, 3 Percussion, Strings, and Four-Channel Tape
- Miniatures II (1983) 5'
- Three Pieces for B-flat Clarinet, Piano, and Cello
- Capriccio (1982) 8'
- Two Cellos
- "fioratura!" I (1983) 15'
- Two B-flat Clarinets
- String Quartet No. 2 (1983) 17'
- String Quartet and Stereo Electronic Tape
- Three Antiphonal Preludes (1984) 9'
- Four Antiphonal Trumpets
- Three Fanfares (1985) 7'
- Three C Trumpets
- Joyce Songs (1986) 15'
- Five Songs for Mezzo-Soprano and Oboe to poems by James Joyce
- Intermission Music (1987) 15'
- Stereo Electronic Tape
- '2 x 4' (1987) 2'
- Piano Four Hands
- Dialogue (1991) 6'
- Violin and Viola
- Trio (1993) 13'
- B-flat Clarinet, Bassoon, and Piano
- "fioratura!" II (1993) 15'
- B-flat Clarinet and Vibraphone
- Wendy's Rag (1993) 7'
- Solo Piano
- Dmitri (1993) 4'
- Clarinet and Vibraphone
- Partita (1994) 11'
- Quartet for Flute, Oboe/English Horn, Clarinet, and French Horn
- Eveningsong (1994) 6'
- Fifty-Three Bell Carillon
- Flourishes (1994) 3'
- B-flat Clarinet, Bassoon, and Piano
- In Silence (1995) 7'
- Large Orchestra
- Aria da Capo (1995) 39'
- Chamber Opera for Five Solo Singers, Flute, Clarinet, String Quartet,
and Piano to a libretto from the play of the same name by Edna St. Vincent
Millay
- Three Abstract Preludes (1996) 13'
- Solo Piano
- Capriccio (1997) 8'
- Two Violas
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Last updated 16 September 1998. Contact
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